Documentary and Documentary Form:
The Documentary Form:
Documentary is constructed, just as film or TV, but gives
the impression of reality. A good documentary maker is able to make the
documentary seem real but put across their own views and values.
Conventions:
·
Bad camera work and lighten, give the
documentary a more real look, in that there was no time to set up shots.
·
Editing maybe unclear as you cannot edit
reality.
·
Voice over or presenter show it’s not a
fictional TV program.
·
Interviews.
·
Captions make it clearer and more real.
·
Music to support the makers view and provoke
emotion from the audience.
·
Framing to establish who the audience should
identify with.
Types of documentary:
Event Documentaries:
·
Record major event, with a voice over or
presenter. E.G. The London Marathon.
Documentary Accounts:
·
Follow events leading up to a bigger event, with
different accounts or perspectives. Historical documentaries usually follow
this form.
Documentary Journeys:
·
Journalist following a story, or real account of
real journey. Such as travel documentaries.
Fly-On-The-Wall:
·
Studying a particular situation in great detail,
with the use of interviews and montages. Reality TV is this at its most extreme
form.
Docusoaps:
·
Combining Documentary and Soap Opera. Using the
same conventions of fly-on-the-wall documentaries and that of soap operas, such
as the representation of characters and stereotypes.
Docudramas:
·
Show a dramatic telling of a real event. Some
historical documentaries use this form.
Early Documentary:
·
Term documentary, created by John Grierson.
·
Narrative and Character were used to create
reality.
·
Robert Flaherty is said to be the establisher of
the rules of documentary.
·
In 1934 John Grierson began his career creating
some of the earliest documentaries in the UK.
·
He said film should be both entertaining and
informative.
·
But reality had to be shaped and organised to
make it entertaining.
Direct Cinema:
·
Conventional, seeking to record events.
Mediating them as little as possible.
·
Fred Wiseman, Michael Moore and Nick Broomfield.
·
Narrative is still constructed even though it
seems to be recorded exactly as it happened.
·
The film maker is never seen.
Cinema Verité:
·
Originated in France, 1950’s and 60’s.
·
Conveys to the audience that they are seeing
exactly what was happening.
·
No TV lighting and interviews are rare.
·
Uses hand-held cameras and real surroundings.
·
Using voice-recorded interviews, conversations
or statements pair with related pictures.
·
The film maker will have a social conscience
and/or a political agenda.
Lifestyle Programmes:
·
Present information or explore topics in a
superficial way.
·
They are usually aspirational.